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AUTHOR INTERVIEW
Gillian Cross

 

Jubilee Books: The Demon Headmaster has returned after a bit of a break in a new book Facing The Demon Headmaster. What can you tell us about this new book?
Gillian CrossGillian Cross: Well in this new book Dinah and her friends in SPLAT go to a fantastic new club called Purple, which is an under 18 night, and the DJ is a mysterious figure who wears a hologram mask so his face changes all the time. He also seems to be able to be present all over the country at the same time. He challenges fans to find out who he is and what he really looks like. Dinah starts to investigate this, mostly on the Internet, where she stumbles across a photograph of someone who looks exactly like her father. She's always understood that he died when she was a baby. The plot thickens after that.

The DJ you mention is called DJ Pardoman. Firstly I wondered where his name came from. Secondly I know there's two French DJ's called Daft Punk who wear masks and no one knows what they look like, did you know about them?
No I didn't, that's uncanny. What's happened to me a number of times is that I've made something up and find out later that it's actually true. I'm delighted that it makes it more authentic, but I didn't base the character on a particular DJ. As for the name. I once knew someone whose name was Pardoman and it seemed to fit in.

Will we see any more books in the Demon Headmaster series?
Well I don't know because every time I write one I think 'that's it' and then something surfaces and I write another one. If something does surface there'll be another one, but if not, I don't plan to write one every so often.

The Demon Headmaster was serialized for television. What was it like seeing your work on screen?
It was a very good experience, they took immense care and I very much liked what they did. They serialized two books I had written some time ago and I wrote two more books that I discussed with them as I was making them up, so I had a lot opportunity to think about the difference between telling a story in a book and on TV. It's really interesting that the narrative is a lot different between books and television and I enjoyed that experience. I enjoyed the whole experience, it was great!

Your last book Calling a Dead Man begins with the discovery of a Dead Body in Siberia. Why did you choose Siberia as the setting for this book?
That's where the book came from really. I wanted to write a book in a very cold and remote place and about people being lost, so Siberia seemed like the obvious choice. The more I read about Siberia the more excited I got about it. It's the most extraordinary place full of all kinds of treasures and riches that are all frozen away. The idea of Siberia is really the core of the book.

How did you go about research for that book?
I read a lot. I read a lot of general books about facts and figures and geographical stuff. But I also looked for books by people who had travelled there and visited particular places because I think that's what you need if you're going to visualize particular places. I did it mostly from reading and some research on the Internet but I didn't actually go there. I've only seen it once and that was from the air on the way back from Japan.

Is there another place you would like to visit to research for a book?
I find the centre of Australia very fascinating although there it would be very tricky to write about. There's also lots of places in Africa I'd be really interested to write about. I'm actually going to the former Yugoslavia in January, not necessarily connected with writing, but I'm interested to see if anything comes from that.

When did you realize you wanted to become a writer?
I always, always wanted to become a writer. I never thought that I wanted my career to be as a writer but I always wanted to write books. After University I started doing it. As I had young children I didn't need to think about what I was doing because I was looking after my children. By the time they had grown up and I did need to think about what I was going to do I was lucky enough to have had books accepted for publication. I never think of it as a job though, it's such a great thing to do.
When I was a child I read very widely. I liked Frances Hodgson Burnett, especially The Secret Garden, and I read a lot of Shakespeare when I was a teenager. I liked Little Women a lot, quite traditional children's books. I read a lot of poetry and some plays. Now I read lots of stuff. I like Peter Dickenson's books, Anne Fine and David Almond, I could go on.

Do you have any hobbies or interests other than writing?
I go orienteering. Everybody in our family goes orienteering. We've done it for about 20 years now. I'm not very good at it but I really enjoy it. It's in the nature of the sport that you go to somewhere different every time. It's organized on a club basis and the club maps an area and puts on particular events. We've been to all sorts of places all over the country, we go to Scotland quite often and we've also been to France. Some people go all over the world but we haven't travelled that widely, although our older children have. I also play the piano, although not very well.

What other jobs ahve you had?
I've had all kinds of jobs although they've always been part time. Early on I worked for the bakers in the village helping him to make bread. I also worked for a while for a Member of Parliament in his constituency in Kent, talking to people who would phone up to make appointments to see him. I heard lots of interesting and rather sad stories about problems that people had and it was my job to put them in contact with the right people who could help them sort out there problems. I've also been a child minder. I did teach at a University and I also worked as an untrained teacher.

What are you working on at the moment?
I'm writing a long and quite complicated book which I can't tell you about. I've nearly finished it and if all goes according to plan it'll be out towards the end of next year.

 

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Interview conducted with Joseph Pike August 2002
Material © Jubilee Books.
This interview may be used in whole or in part for non commercial activities with the expressed permission of Jubilee Books. If you wish to use content from this site for commercial or fund-raising activities you must first obtain written permission from Jubilee Books.

 

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Gillian Cross website

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