http://Homepage
Homepage
 
About Us Magazine

About Us
Company Services
Appraisals

Raman Mundair

Raman MundairThe following is taken from Raman's own press release

My journey started in India, where I left for England in my early years my tongue flowing with Panjabi and Hindi ...having washed upon these shores my 1st generation self grew... immersed in the foreign tongue until memories of umbilical tongue became diluted. Now I play with notions of home and projections of the self. I am supposed to be in a land where there are no true reflections of me… I play god... create... music where there is no

V O I C E

Comments As A Playwright Currently
Commissions Collaborations Comments
Live Performance Publications To Book

My work has been featured on BBC Radio 4's Women's Hour, Greater London Radio and BBC World Service and has been used as part of the Open University, Florida International University, University of Aberysthwyth, University of Portsmouth and Roehampton University course programmes.
In 1999 I was Writer in Residence for the Isle of Wight.
In 2000 I was invited by the British Council to represent Britain as a writer, workshop facilitator and performer in Namibia and by PAND International, to speak and read at their conference in Helsinki, Finland.
2001; I have been appointed Lecturer in South Asian Literature in English, at Loughborough University.

Creative Workshop Facilitator
I am a woman, of Indian Panjabi heritage. I was born in Ludhiana, India, brought up in Manchester and Leicestershire and currently live in London. I have written since I was a child, it was an invaluable lifeline for me, which later developed into the desire to further explore language/rhythm/the power of the written and spoken word. I am an experienced facilitator of workshops. In my workshops I use my skills as a writer and performer to build an environment of safety where participants can engage with the source of their truths and fictions and recreate them using the structures of poetry, prose, storytelling and drama. I believe that we all have stories that we are dying to tell and that we all have the intuitive, creative means to share them. I place a strong emphasis on 'emotional literacy', in that I encourage participants to nurture their self-confidence and fully express themselves.

As a facilitator I work in such a way that I become a channel through which the creative instinct is nurtured, empowered and manifests it's glorious self. I have particular experience in working with children, young people, refugees, people whose first language is not English, people with disabilities, survivors of the mental system, survivors of sexual abuse, torture, domestic violence and women, on issue based creative writing workshops. I also facilitate general creative writing classes concentrating on 'the nuts and bolts' of writing prose, poetry and for performance. I have experience in intergenerational/reminiscence work; in facilitating the telling, collation and documentation of our communities' stories, across the ages.

Most recently I have worked with the British Council in Namibia working with NGOs, students and local community in Windhoek. I have worked with Akademi, an South Asian dance company, where I collaborated with dancers on an educational project in schools, looking at migration and refugee issues. I have also worked with Jubilee Books on an intensive project in the borough of Greenwich, exploring issues to with racism and diversity in the wake of the murder of Stephen Lawrence.

I have been Writer in Residence in The Isle of Wight, Oxford, Maidenhead and Slough. I have run workshops for The Word Literature Festival, Amnesty International and the Camden Language and Support Service for refugee awareness week and the 'One day we had to run' visual arts exhibition.

I have ran cross-cultural workshops in Windhoek, Namibia, where I worked with the local community around many themes, including their experience of the liberation struggle, and their relationship with the truth and reconciliation process.

I have also been working on an Asian Elders project at Newham Asian Womens Project; collating intergenerational stories and facilitating prose and poetry workshops I have ran Creative Writing and Performance workshops, often theme based, for many schools, libraries and voluntary sector projects including;

The Royal Observatory and National Maritime Museum, Greenwich, The British Council, Sister Namibia, Windhoek, The SpitLit Festival, Jagonari Centre, Hounslow Community Arts Education, Clapton Technology College, East Midlands Shape, Windsor Arts Centre, Eltham Hill School, Argyle School, Sexual Abuse and Survivors Association, Newham College, The Royal Greenwich Maritime Museum and Observatory, JAMI, The Jewish Association for Mental illness, Newham Asian Womens Project, Humara Ghar (Asian Elders Residential Home), Balham Family Welfare Association, Belgrave Beheno Asian Womens Centre, and Queen Mary and Westfield College (London)

I have facilitated courses for Tower Hamlets Summer University (London), for several years and for Apples and Snakes.
I ran regular Creative Therapy workshops incorporating creative writing, meditation, art therapy, drama, voicework, movement, self-empowerment and life skills planning/sharing for people with learning difficulties and people with disabilities at Westminster Business and Disabilities Unit over a period of 2 years.
I facilitated regular drama/creative therapy sessions for Hounslow Social Services at Watermans Arts Centre over a period of 5 years. I facilitate regular storytelling, poetry and performance workshops for Survivors Poetry. I also facilitate regular training residentials for them; providing individuals with an awareness of survivor issues and empower them with the tools they need to run creative writing workshops . I am versatile and flexible in my approach and I'm able to run one off theme based workshops or longer workshops spread over several days/months. I am also open to regular weekly sessions and residencies. Workshops can be personalised to cater for individual/group/class needs.

Commissions

I was commissioned by the The Austrian Cultural Institute in association with Apples and Snakes and Battersea Arts Centre, to write a contemporary poetic response to the waltz and Johan Strauss; my piece, Atempause, was performed at Battersea Arts Centre in May 99. Talawa Theatre Company have developed my work, Missing Pieces under their Women Writers Initiative.
Sankofa Film Company have awarded me their Bursary Scriptwriter Scheme which supports me in the writing and development of my filmscript; Objects of Desire. I was commissioned by Tamasha Theatre Company to develop my play 'The Thirst' and by The Crucible, Sheffield Theatres develop a children's play 'Zoodle Doodle Doo'. I was commissioned by POP UP Theatre Co. to develop my play 'Tara' for their Dramatic Links Project.
NOW'95/EXPO 95 Nottingham Live Arts Festival, commissioned Body Memories, a work in progress. Chisenhale Dance Space commissioned Catching The Lion's Tale, a text/movement collaboration.

Live Performance (readings/song/drama)

Mar 2001 Palazzo del Cinema, Venice (The British Council), The SpitLit Literature Festival
Jan 2001 BAC
Nov 2000 The Commonwealth Institute, London
Oct 2000 Kiasma, The Museum of Modern Art and Theatre Aviomet, Helsinki, Finland. The National Theatre, Grassroots, Sister Namibia, Alte Feste, Windhoek, Namibia
Oct 2000 Merton Black History Month
May 2000 The Royal Commonwealth Society
Apr 2000 The Barbican
Jan 2000 The Royal Festival Hall
Oct 99 Borders Bookshop, Windsor Arts Centre, Poetry Can Bristol, The Kuumba Project and Wellingborough Library.
Sept/Aug 99 Raha 'The Path' @ 291 Gallery
1998-1999 Various performances with Clean Break Theatre Co.
Mar '99 Hackney Empire
Jan/May '99 Battersea Arts Centre
Oct'98 Amnesty International ; Performed at International Human Rights Conference in London.
Jul'98 Guildhall University
May'98 Jacksons Lane Community Centre
Mar'98 Greenwich Womens Festival
Aug'97 Portobello Festival
Jul'97 Channel Four ; Indian Summer.
Jun'97 Midsummer Poetry Festival, Embankment Gardens, London
May'97 Centre for Contemporary Arts, Glasgow
Mar'97 Dennawadis, Cema cafe. Stoke Newington
Sept'96 Battersea Arts Centre; Performed Body Memories, a Choreopoem.
Mar'96 The Wheel, Holborn.
May95 Nottingham Live Arts Festival.
Sept94 Institute of Contemporary Arts. I perform frequently for Apples and Snakes and Survivors Poetry.

As A Playwright

Nov 99 Reading of 'Tara' at The Tristan Bates Theatre (in association with Pop Up Theatre Company)
Oct 99 Reading of 'Safe' at The Lyric Theatre, Hammersmith (in association with Clean Break Theatre Co.)
May'98 Reading at Interplay Europe 98, Festival of Young European Playwrights in Berlin, Germany.
Jun'97 West Yorkshire Playhouse workshop of 'Missing Pieces' as part of their '7x7' season.
Oct '96 Playreading at Oval House Theatre
Oct'99-Nov'99 'The Orange Sari' (Previously entitled;'The History of Doing'), directed by Antonio Ribeiro. Produced by The Blue Elephant Theatre.

Collaborations

1999 Worked with Director Simon Nicholson on 'Zoodle Doodle Doo' which will be produced by Sheffield Theatres in
May 2000. '95 - '96 Worked with Gay Sweatshop as part of their 'New Writing' project.
Jul'95 'Catching The Lion's Tale' a collaboration with dancer/choreographer Deborah Richards.
Sept'94 'Ladies Falling' at the ICA as part of their More Respect season. I contributed towards the text for this dance/film/text piece which explores the unacknowledged work of Black women contributed extensively to the construction of the British Empire.

Publications

A selection of my prose and poetry is featured in the following anthologies;
'The Fire People', edited by Lemn Sissay, pub. Payback press.
'Bittersweet', edited by Karen McCarthy, pub. The Womens Press.
'The Memory Bird', pub. Virago.
'The Redbeck Anthology of British South Asian Poetry', pub. The Redbeck Press

Currently

I have been appointed Lecturer in South Asian Literature in English, at Loughborough University.
I am working with digital artist Sean Clark, visual artists Ashok Mistry and Kevin Ryan, on a YOTA funded installation exploring the theme of Home and Homelands in relation to recent events in India. The piece is particularly relevant, as it will be based in the heart of the Gujarati community in Leicestershire, who've been profoundly affected by the tragedy of the earthquake in India.

On the behalf of Alternative Art's Spitlit festival, I am facilitating a series of creative writing workshops with Bengali women in Whitechapel, looking at collective memory, identity and hidden histories.

I have been invited by the British Council this year, to read and give lectures at the University of Stockholm, Sweden, and read and give workshops at the National English Language Conference in Venice.

I am currently working on a collection of poems and my first novel.

Comments

She is constantly sensual… tempered by a delicate care for detail, a quality of consideration that engages in the philosophical in sometimes complex ways…
Kwame Dawes - (Author of 'Resisting Anomie', 'Requiem' 'The Middle Passage', 'Shookfoil' and 'Progeny of Air', the winner of The Forward Prize 1994)

Beautiful! True, and from the heart…
Pat Ingoldsby - (Author of Beautiful Cracked Eyes).

Collective and individual pain is sung out in varying pitch and personae; joy is to be felt, poignantly, through expression. The high points of the book are most frequently, in particular Raman Mundair.
Dazed and Confused - (August 1998) review of 'The Fire People'.

Her poems grow with her, spilling out on the streets, in her food, in her bed, and across the landscapes she inhibits… As she expands her own sense of the world, these poems, with their elastic mutability, have found a way to assume her shape and to beautifully capture the sensibilities of Raman Mundair. This is why I look forward to reading more of her work: I want to see where she will take her poems in the future.
Kwame Dawes.

…Power dynamics and political events such as the Stephen Lawrence case, dramatized in an excellent poem by Mundair…some of the most exciting poetry being written in England today… Lauri Ramey, 'Conch Magazine', University of Luton

…An extremely talented Asian woman….
The Asian Age.

We celebrated National Poetry Day by inviting Raman Mundair into Clapton to perform some of her own work to students and to lead some poetry writing workshops. She performed her poems in English and in Urdu. The students and teachers who watched her perform were enthralled and visibly moved by Raman's powerful use of language and the quality of her work. Many were inspired to write moving poetry themselves. Students comments included: "She made me realise how important the words we use are. Her presented strong emotions and you could feel what the person in the poem was experiencing," Natalie Millar 9a; "Her poetry was beautiful, thoughtful and touched my heart", Hira Siddiqui 11c; "Raman Mundair is a very inspiring poet and her poems are very emotional", Cyreta Edwards 11L; "She showed how you can be anything you want to be," Sameena Desai 9a
An extract from Clapton Girl's Technology Collge newsletter

Absolutely brilliant! The trust and commitment portrayed (by the workshop facilitator) was breathtaking. I fully enjoyed the course…Please come back!
Raisha Goni Miah a participant from the Tower Hamlets Summer University 'Rappin' and Rhymin' course

Thank you for your beautiful, warm, supportive energy…I am impressed with the journey you took us on these past 2 days, I feel like we covered a lot. You really convey a strong impression of respecting everyone and their stories, which encourages us as participants to do the same. I also thought your pushing of the group continuing was forward thinking and will contribute to really making a difference…
Karen British Council workshop, Namibia

Loved the workshop! Very freeing, gentle approach....very well thought out.
Victoria Field Ex-Director of Survivors Poetry

You are the voice of the voiceless…
Behni British Council workshop participant, Namibia

I have thoroughly enjoyed this workshop. I am quite shy, but I have today managed to create and perform and that is thanks to Raman and her encouraging patience. It is good to share...Thank you very much for this opportunity.
Jackie Briers a participant at The Word literature festival workshop

The course was brilliant…I enjoyed it 101%…(I hope) every kid my age gets an opportunity to be this productive…every student gained a great deal out of this course
Rashid Ahmed Tower Hamlets Summer University

I have learned many things, I can't name them all …but I am trying to say that you inspired me a lot and gave me courage to go on.
Nglombe British Council Workshop, Namibia

The workshop was interesting, stimulating and enjoyable...as well as being relaxing and de-stressing. Jenny Shaw , a participant at The Word literature festival workshop Totally excellent! So inspiring.... I now want to write Ellie Jacobs a participant at the Amnesty International workshop and performance A note of appreciation for sharing your energy and giving dignity to a creative process often discarded from it's rightful place in the arts. Your comments on my work were constructive and will be put to practice.
Marita Schneider Namibia Workshop

I gained a lot of confidence…I hope you return again next year…
Jalal Tower Hamlets Summer University participant

The workshop gave me the opportunity to see poetry in a different light. It gave me the freedom to express myself, take risks artistically and creatively restructure the staid poetry I have been writing…we need poetry, we need creativity and of course dialogue across cultures is a great beginning…
Kofi Ogbujiegbe British Council Workshop, Namibia

Really good, enjoyable, very inspirational and moving.…Thank You Lauren Elliot a participant at the Amnesty International workshop and performance I would like to thank you for a very good poetry session. I really do like poetry and I enjoyed your poetry a lot. Asma Momla a participant at the Amnesty International workshop and performance

It was a great gift to work with someone as gifted and as outspoken as you…I learnt that I have a voice that should be heard no matter what people say and that it is good to take risks.
Shillah British Council workshop, Namibia

Everyone was pushed to achieve their maximum potential…Had loads of fun! Arefa Siddiqua Tower Hamlets Summer University The Workshop was great fun…3 days was too short a period!
Desmond Felix Tower Hamlets Summer University

Thank you so much for the experience, it was really moving for me to turn the hate inside of me (towards racism) and use it as a tool.
Fatima Mohammed

I love the incorporation of music, visualisation and the 'exercises'…you started us off really well by creating that 'safe space', the results of it's benefits are evident through the truths and risk taking that occurred.
Mutaleni British Council workshop, Namibia

Thank you for a special hour. I've never had a poetry experience that has so freely opened my mind....Thank you. Louisa Really Cool! Everyone seemed really comfy and open...It was easy to relax and feel at home.
Hannah B.

A truly inspirational lesson. It made the thoughts go far beyond the mind.
Sazia Iqbal

This has been such a moving experience, a different way of expressing my feelings, opinions and what I think. I'm so honored and pleased to have taken part in this, I never thought it could be such a valuable experience which would affect me so much. Thank you.
Emma Harding, Cambridge

I enjoyed it loads. I overcame a degree of self consciousness, Cheers! Your singing is great!
Richard Norre

I had many fears about joining the workshop, and some of them were expiated in the process of listening, speaking, writing with you and the other participants. I feel I have discovered a lot about the reasons for my 'block' and while I still lack confidence in myself a writer, as a person even, I feel affirmed and can see a way of 'taking the risk' that you promoted so well. I benefited from the practical activities we did as the creative writing work. I was mesmerised by your work and found myself admiring the transformations you worked in yourself and in us…I may just find my voice…
Jeanette British Council workshop, Namibia

Thank you for the experience, it helped very much and I enjoyed it. Amina Omar Thank you so much for this session. I really loved it and it really made me explore my feelings of the day and that was very important to me, thank you.
Martha Beale from Trinity School

Through professionalism and experience, your way of imparting knowledge to others proved very fruitful…Thank you…
Mittri British Council workshop, Namibia

Excellent, made me think and apply my thoughts. Certainly an effective medium for expressing feelings.
Alex Parkes

Really, really enjoyed your workshop and had a brilliant time, thanks for everything. Naaila Ahmed Keep fighting and opening people's eyes...your poems made me think...reminded me to care and I really think will make me more active in the fight for human rights.
Lisa Tarasento

I liked it last year, but LOVED it this year! I enjoyed the course entirely and wanted it to be longer….
Leon Jamuna Tower Hamlets Summer University

Thank you for your spirit and openness- wish we had more human beings like you in Namibia as this is a country of contrast and wide open spaces- both environmentally and culturally…Please come back!
Theresa British Council workshop, Namibia

To Book Raman for a performance in your school...
To check current prices and availability for school performances please contact:

Jubilee Books
Address of head office
31a Vanburgh Park
Blackheath
London SE3 7AE

t: (020) 8265 4645
m: 07760 760 182
*t: (020) 8293 6060 - Currently Unavailable*
f: 056 0150 8125
e: enquiries@jubileebooks.co.uk

Our office is open Monday to Friday 9.30am to 5.30pm.

 

 

 

Top

About Us | Magazine

© Copyright
Address of head office, 31a Vanburgh Park, Blackheath, London SE3 7AE
T. (020) 8293 6060 | F. 0561 0150 8125 | e-mail Jubilee Books
Updated daily